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Gotham Central, Book 3: On the Freak Beat, by Greg Rucka, Ed Brubaker
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This volume collects two separate cases of the Gotham Special Crimes Unit. Detective Renee Montoya investigates the disappearance of important evidence amid a gang war and travels to Keystone City in an attempt to unveil the truth about Officer Kelly's strange mutation. Plus, the dead body of Robin, the Boy Wonder is found on the streets. Now the detectives of Gotham Central must try to solve the mystery of his death while dealing with his former associates, Batman and the Teen Titans!
- Sales Rank: #410202 in Books
- Brand: DC Comics
- Published on: 2011-10-25
- Released on: 2011-10-25
- Original language: English
- Number of items: 1
- Dimensions: 10.18" h x .37" w x 6.65" l, .85 pounds
- Binding: Paperback
- 224 pages
From Booklist
Gotham Central depicts crime fighting in Gotham City from the standpoint of the police force, relegating Batman and the other costumed heroes and villains to the background. Unsurprisingly, it underperformed the more conventional Batman titles saleswise and lasted only slightly more than three years. In these story arcs, Detective Renee Montoya searches for a missing bullet that will clear her partner in a shooting, and the team investigates the mutation of a fellow officer at the hands of the criminal scientist Doctor Alchemy. Stefano Gaudiano, who replaces original artist Michael Lark late in this volume, admirably continues the atmospheric, muted visual approach that was the series’ hallmark. --Gordon Flagg
Most helpful customer reviews
9 of 10 people found the following review helpful.
Solid, Worthwhile Graphic Novel!
By V. R. Smith
Being relatively new to the graphic novel genre, it took me a while to get used to the style provided in the artwork of this series. Flat, boxy, and simple, it reminds me of newsprint. By the third book, I understand it is the most appropriate style for tha dark stories being told.
This third book provides three big stories and one small, one-issue vignette. The first story told, "Corrigan" focuses on Detecive Renee Montoya and her partner, Cris Allen. Chris is accused of firing his weapon unnecessarily, and the MCU is having trouble clearing him due to missing evidence. This is the start of an important story between Renee and Jim Corrigan, who she thinks is dirty. This story also reveals more about Cris and Renee's working relationship--they trust each other implicitly and are probably the closest partners in the entire MCU. 5 stars for this story.
"Lights Out," the one-issue vignette, is next. As a reaction to the "War Games" fiasco and public outcry, Commissioner Atkins orders the destruction of the Batsignal. Some MCU detectives are glad to see it go, others think it's a huge mistake. Montoya reveals that Batman is the reason she's a cop today. 5 stars for this storyline--the tension in the squad room is absolutely palpable.
"On the Freak Beat" is next, focusing on Detectives Driver and Josie Mac. Looks like a Catwoman case, but Josie Mac can't reconcile that with her gut feeling. She also struggles with whether to tell her partner that her "gut feelings" are actually more like psychic premonitions. 4 stars here.
We end the book with "Keystone Kops," another Chris and Renee story. This one takes them into the Flash's universe for a bit, having them visit Keystone City to visit a prisoner who bears way too much resemblance to Hannibal Lecter. Important themes here include Renee's increasing attraction to violence and an important mended bridge in her family life. 2 stars for this; Dr Desmond actually uses lines from "Silence of the Lambs," and it is far too hokey.
This book features no bonus material, which always disappoints me in a hardbound collection. But the stories collected here are definitely worthwhile--Rucka and Brubaker have created a dynamic and righteous squad room in possibly the darkest, most infested city in the world.
6 of 7 people found the following review helpful.
The lives of normal people in an abnormal world
By Sean Curley
This third volume in a hardcover series collecting the totality of "Gotham Central", DC's landmark series focussing on the frontline detectives of the Gotham Police Department's Major Crimes Unit, continues in the tradition established by the first two. Namely, excellence. Slightly shorter than the previous one, this volume collects issues 23 to 31 of the series. Separate, Ed Brubaker and Greg Rucka are two of the best writers in comics; their rare collaborations (and they are co-writing for most of this one) are always exemplary. Some spoilers follow. One should also note, starting out, that Amazon's product description for this volume is incorrect; "Dead Robin" (issues 33-36) are not included here.
The first volume, after the introductories stories familiarizing the audience with the concept and the initial main cast, was capped with "Half a Life", Greg Rucka's Eisner-winning Renee Montoya story, which is often thought of as "Gotham Central"'s finest piece. The second volume featured less of Montoya, but did include one of my favourite stories in the series, the Joker-centric "Soft Targets". Book Three features Montoya much more heavily in the lead position (a guarantee whenever Greg Rucka is writing), including revisiting some important elements from "Half a Life". Unlike the first two volumes of the series, marquee supervillains are not in evidence (though after back-to-back encounters with the Joker and Two-Face, there wasn't much of an ante to be upped, one supposes) for the most part, and even Batman's role in plot resolution is somewhat limited.
In terms of external influences on the series, Book Three picks up after the infamous "War Games" Bat-family crossover that seriously damaged Batman's reputation both among his fellow heroes (the Birds of Prey sought alternate living accomodations) and the police, who remove the Bat-signal when the story opens. Ed Brubaker's contribution to this volume is considerably smaller than in the past, writing only one of the three stories that comprise this arc, with Greg Rucka going solo on the other two (and those two take up most of the space, though Brubaker's supplies this collection with its title). The first story, by Rucka, originates what will become a significant plot thread before the series is out, dealing with the corruption of one Jim Corrigan (no relation to the Specter), a CSU technician at the GCPD. This is a decent story, though probably the least of the three (the peripheral elements of it, mainly dealing with changing attitudes towards Batman, are the most interesting parts). Next up is Brubaker's contribution, focussing mainly on detective Josie MacDonald, who, unbeknownst to everyone else on the squad, has some level of supernatural insight that she uses to solve cases, but must keep concealed. Her dilemma is effectively illustrated, and the story also features a cameo appearance by Catwoman (whose series Ed Brubaker was also writing at this time).
The real gem of the collection, though, is the final four-issue arc written by Rucka, called "Keystone Kops" (one can see why it wasn't chosen as the volume name), which begins with an ordinary GCPD officer, Andy Kelly, being horribly maimed in the process of rescuing a child from a mad scientist's lair. The effects cause Kelly to begin to mutate, and it is deemed the work of the Flash villain Dr. Alchemy. While Montoya and Allen head to Central City, a markedly different location than Gotham (with which some interesting contrasts are drawn), to enlist Alchemy's help, Kelly continues mutating. "Gotham Central" has been at its most effective when it showcases the reactions of the ordinary people who must live in a world full of superhumans and monsters, and this one is very affecting. Alchemy is an interesting foe (albeit at times perhaps a bit too transparently being written as a stand-in for Hannibal Lecter). The conclusion is bracing, though Montoya's personal life gets a bit of welcome good news.
The first story of this volume also represents the final artistic contribution of Michael Lark, whose distinctive pencils lent the series quite a bit of its distinctive atmosphere. Lark's final story is a nice one to go out on. Following that, there are some guest pencils by Jason Alexander (presumably not George from "Seinfeld"), and the final arc is done by Stefano Gaudiano, who would actually later colour Lark's art on "Daredevil". The whole series continues to look great, though.
Highly recommended.
1 of 1 people found the following review helpful.
Gotham's Finest
By C.B. Derrick
This graphic novel/comic book series could have easily been called "Gotham's Finest" as it spools out the tales of Gotham PD's investigative unit as they solve crimes more upscale that regular police work and just beneath the need to call in the big guns - Batman and Robin. It's most interesting with how the GCP wrestle with avoiding calling in Batman, as if it's akin to throwing in the towel. Rucka's characterization of the Gotham detectives is as potent as your favorite TV cop show... It's hard to imagine a police procedural existing so well in a graphic novel format, since we seem to be jaded by them on TV, but this installment of GOTHAM CENTRAL, like previous two and subsequence ones, is top notch...
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