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Gotham Central, Book 2: Jokers and Madmen, by Greg Rucka, Ed Brubaker
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Witness the gritty side of the Gotham City Police Department from their perspective, as they take on psychotic criminals like The Joker and grudgingly look to The Dark Knight for help.
This volume collects two cases of the Gotham Special Crimes Unit. First, The Joker terrorizes the city at Christmastime when he begins randomly executing people with a rifle, and no one from the Mayor on down is safe. A second story focuses on an old case and unfinished business for disgraced detective Harvey Bullock.
- Sales Rank: #317698 in Books
- Brand: DC Comics
- Published on: 2011-07-12
- Released on: 2011-07-12
- Original language: English
- Number of items: 1
- Dimensions: 10.18" h x .42" w x 6.63" l, 1.06 pounds
- Binding: Paperback
- 288 pages
- Used Book in Good Condition
Most helpful customer reviews
11 of 13 people found the following review helpful.
One of the Strongest Stories in the Series
By Danny Norbury
Gotham Central was one of the best comic series going. Told from the perspective of the Gotham City PD detectives who are trying their best to keep a city that is continually on the brink of madness from going over the edge, it reads like a script to NYPD Blue. If Batman has more than a page of ink per three issue series, it is amazing. And when the caped crusader makes a rare appearance, it isn't always a welcomed one. Afterall when your in the GCPD, you don't have the tools, the gadgets, the freedom from due process, or the backing of the Justice League...you have a gun, a heart, a brain, and a lot of guts.
You live with the knowledge that there is a vigilante who makes you look incompetent; a myth that has brought a level of craziness into your city that did not exist before his arrival; and you live in a constant mixed state of respect and loathing for "The Bat." It was a great series and this TPB is the best of it.
I almost wish that this TPB did not have Joker on the cover holding the sniper rifle. The reveal of him as the sniper terrorizing the streets of Gotham during the busy Christmas shopping season is one of the beset reveals in comics. It quickly pushes the stakes over the top and makes you feel for the characters. But even knowing he is coming will not detract from the greatness of this read. Enjoy!
15 of 16 people found the following review helpful.
Superb procedural set in town of abnormal procedures.
By Sean Curley
This second volume in a hardcover series collecting the totality of "Gotham Central", DC's landmark series focussing on the frontline detectives of the Gotham Police Department's Major Crimes Unit, continues in the tradition established by the first. Namely, excellence. Slightly longer than the previous one, this volume collects issues 11 to 22 of the series. Separate, Ed Brubaker and Greg Rucka are two of the best writers in comics; their rare collaborations (and they are co-writing for most of this one) are always exemplary. Some spoilers follow.
The first volume, after the introductories stories familiarizing the audience with the concept and the initial main cast, was capped with "Half a Life", Greg Rucka's Eisner-winning Renee Montoya story, which is often thought of as "Gotham Central"'s finest piece. With her initial spotlight story over, Montoya figures very little into the events of this volume. The primary focus here is on Brubaker's shift, especially Marcus Driver and Romy Chandler. We're also introduced to a number of new characters, such as a detective with family ties to the Mafia. The work-life of the division is always exceptionally rendered, with rivalries of various types (Sarge's frustrated career ambitions), and allusions to and glimpses of personal lives.
Plotwise, the series alternates between regular crimes and crimes involving members of Batman's rogues gallery. Two-Face and Mr. Freeze were the most prominent in the first volume. Freeze's story is briefly revisited here. The title of this volume supplies the name of one of the major villains present here; also around are the Mad Hatter and the Penguin. Batman is a vague presence whose existence sometimes functions as an anticlimax to the drama: and this is intentional, I think. Keep in mind that whenever a supervillain is involved, there's a whole Batman story going on that we don't see. In Batman's own stories, we follow him as he cracks the case; here we follow the cops as they do the same work, only to be frequently beaten to the punch and denied any real catharsis. Indeed, the fallout of the Joker story is explicitly about how the Joker (and, by extension, most supervillains) treat the cops as simply an audience (or pawns) in a chess game with the Dark Knight. It's on the smaller cases that they can generally get a bit more dramatic closure. Another aspect of the mythos, the constant survival of the horrible monsters that Batman routinely apprehends, is likewise milked for drama. Batman's presence has other effects, as shown by a one-off story narrated by the Bat-signal operator, who has begun to daydream about him.
One of the most interesting things about this series focussing on the Gotham PD is the relative absence from the cast of its two most widely-known members: Commissioner Gordon is at the moment retired from his job, and Detective Harvey Bullock retired in disgrace before the series began. Bullock makes a return appearance here, as one of his unsolved cases resurfaces. This is a poignant reunion wiht Montoya, who still has issues with what he did to get fired, but also a subversion of expectations regarding this sort of story. Bullock is a shambling drunk who still nurses an interest in the case, and is convinced the Penguin was behind it, but it turns out he's wrong. He proves virtually irrelevant to solving it; it's Driver and co. who make the catch. The resolution to said case is unexpectedly haunting.
One of the most important aspects of the series' success is the art of Michael Lark. Typical American comics art depends a lot on colourful costumes (and skin tones) to differentiate between characters, but the mundane atmosphere of this title leaves little room for that. And despite this, Lark mostly manages to give everyone a distinct look, whether through facial structure, hair and skin colour, or some tic (such as a pipe); though readers will probably still find themselves squinting or doublechecking at some of the standard white guys. It's absolutely integral to the success of the series, as much as Brubaker and Rucka's writing (if anything, I find Lark's renditions of Batman and the rogues to be less impressive).
Highly recommended.
2 of 2 people found the following review helpful.
Best cop show around
By Reid Sherman
This book is just fantastic. It probably stands on its own, although Book 1 is also great and so you should probably go get that one first.
If you like comic books and the superheroes of Gotham City, this is a must-read, because of how well it shows a new perspective on familiar superhero stories. The cops of the Major Crimes Unit are real people, with no superpowers but with talent and dedication for their job. They can't wait around for Batman to fix everything, and even when Batman does show up, they're left with a frustrating mess. In this book you see the frustration of people who are supposedly Batman's allies but don't get any of the benefits of Batcave technology or super toys to use on the beat.
Even if you aren't interested in Batman, it's still a great book. It's like a TV cop show, except way better, almost at the level of the best, like HBO's The Wire and BBC's Prime Suspect. The banter among the detectives is very well-written, the characters are well-developed and believable, and the cases have great twists and turns.
The art, on most issues by Michael Lark, is not the usual superhero comic style, but is a bit dark and rough, and I think fits the stories very well. There are a ton of characters, and they're drawn distinctively enough that I didn't have much of a problem keeping track of who's who (although the personnel page in the front helped). The page layouts are also well-designed, pacing the stories just right.
This volume covers three major cases (with a one-off issue that is kind of an introduction). I won't give anything away, but I thought each of them were very good, and there are interesting character stories running through the whole book.
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