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The Quitter, by Harvey Pekar
Free Ebook The Quitter, by Harvey Pekar
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Written by Harvey Pekar Art and cover by Dean Haspiel In this virtuoso graphic novel, Harvey Pekar - whose American Book Award-winning series American Splendor was the basis for the celebrated film of the same name - tells the story of his troubled teen years for the first time, when he would beat up any kid who looked at him wrong just to win the praise of his peers. And when he failed to impress, whether on the football team, in math class, in the Navy or on the job, he simply gave up. A true tour-de-force, THE QUITTER is the universal tale of a young man's search for himself through the frustrations, redemptions and complexities of ordinary life. With gritty, atmospheric artwork by indie-comics luminary Dean Haspiel (American Splendor, Opposable Thumbs), THE QUITTER is both Pekar's funniest and most heart-wrenching work yet, an unforgettable graphic novel for all those, like Pekar, who have tried, failed and lived to quit another day.
- Sales Rank: #1121550 in Books
- Published on: 2005-10-05
- Released on: 2005-11-01
- Original language: English
- Number of items: 1
- Dimensions: 9.30" h x .55" w x 7.25" l, .95 pounds
- Binding: Hardcover
- 104 pages
From Publishers Weekly
Starred Review. Pekar's work, memorialized in the movie American Splendor, is an ongoing chronicle of his life in all its quotidian glory. Until now, he's only written nonfiction vignettes of his life as a jazz-loving slacker. The strength of Pekar's work is in his depiction of moments, but you have to read a great deal of it to understand the overall arc. This autobiographical full-length comic amends that problem, providing the missing overview: a searingly honest memoir of a smart but troubled boy who depends on quitting any time he might fail—a strategy that eventually leads to a near-nervous breakdown after he joins the navy. But Pekar doesn't dwell on his anxiety with the look-at-me tantrums of Philip Roth or Woody Allen—he's not that indulgent. Pekar's frequent artistic collaborator Haspiel provides the square-jawed, nebbishy characters, drawn with a fat, '60s line, giving a sharp-edged sense of the frustration and tension of an immigrant midcentury boyhood. This book is full of the deeply flawed but sympathetic characters that populate Pekar's work: his hard-working but oblivious parents, an overrated tough guy Pekar beats up, the jazz writer who gives him an outlet away from being a street tough. Pekar's work dignifies the struggle of the average man, and this book shows how that dignity is earned. (Oct.)
Copyright © Reed Business Information, a division of Reed Elsevier Inc. All rights reserved.
From School Library Journal
Grade 9 Up–Ever since the release of the movie American Splendor, Pekar has become widely known and regarded as a writer of autobiographical graphic novels. What keeps his writing interesting is that he not only continues to take new approaches in examining his own life, but he also collaborates with different artists. Here, he focuses on his childhood and young adult years. Teens will find much to empathize with, from his sense of alienation as a young Jewish boy in an increasingly African-American neighborhood to his struggle to find his place in the world. Pekar is his own worst enemy, finding discouragement in anything less than stunning success, berating himself, and quitting when things dont go exactly as he plans. That he eventually does make a name for himself, though it is an uneasy success, is a realistic message of encouragement that teens may find comforting. The Quitter is suggested for mature audiences, but there is very little to offend. The book itself is well designed, with a bold, eye-catching jacket and excellent black-and-white illustrations.–Dawn Rutherford, King County Library System, Bellevue, WA
Copyright © Reed Business Information, a division of Reed Elsevier Inc. All rights reserved.
From The New Yorker
Pekar's downbeat chronicle of his life, "American Splendor," has achieved classic status, but this memoir of his early years is less consistently effective. Pekar is a master of moments captured in a few frames, and his talent seems less suited to a longer narrative. Still, he retains his ability to make the reader sympathize and wince, as when his Communist mother doesn't understand his need for emotional support after some black kids beat him up. He writes about becoming resigned to boring jobs, wiping out of the Navy, worrying about money. "I still wonder today how I'm going to get by the next several years," he says, and the book is really an acknowledgment that sometimes all a person can do, his whole life, is get by.
Copyright © 2006 The New Yorker
Most helpful customer reviews
4 of 4 people found the following review helpful.
It's not easy being Harvey Pekar
By Kerry Walters
Although almost all of Pekar's work is autobiographical, The Quitter is the most sustained memoir he's given us. Much of what Pekar develops here has been gestured at in earlier issues of American Splendor. (I was particularly intrigued to read more about the famous knife/chair tussle between Pekar and his father that took place when Harvey was still in his teens.) But The Quitter offers a fuller, more developed narrative of the first 23 years of Pekar's life than found elsewhere.
What makes this memoir fascinating for an audience wider than Pekar fanboys are the psychological questions it raises and the incredibly insightful artwork of Pekar's collaborator, Dean Haspiel.
Pekar's entitles his life story The Quitter for a good reason: his self-perception is that he's always been so frightened of failure that he walks away from any project or possibility that doesn't offer easy and quick success. Raised by a demanding, never-satisfied mother and a distant, moody father, shy to the point of incoherency around girls, paranoid when it comes to high school coaches (perfectly certain that they were out to get him), trying to establish an identity by becoming a street thug--but clearly conflicted in making a name for himself by hurting other people--taking a series of undemanding but also unsatisfying jobs, cracking up in the Navy, walking away from college: Harvey's first two decades attest time and again to the fact that he's a walking catalog of neuroses. Insecure, paranoid, self-handicapping, and obsessive-compulsive: it's not easy being Harvey Pekar.
But here's the thing: one suspects that without the neuroses, Pekar couldn't have been able to create the incredible art he has. American Splendor celebrates the everyday, finds "splendor" in the quotidian, but also chronicles the everyday anxieties (losing car keys, worrying about a leaky faucet, making room for books) that can temporarily overwhelm us. Pekar's paranoia and obsessive-compulsiveness makes him an acute observer of others and himself. So The Quitter is of interest to students of psychology (and especially the psychology of creativity) as well as Pekar fans.*
Haspiel's artwork captures Pekar's neuroses with clarity and expressiveness, nicely blending past and present in contiguous panels. Representative is a two-page spread, with the mature Harvey's profile on the margins of both pages and the middle section filled with "memories." It's not simply clever paneling. It's sensitive artwork.
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* Although perhaps obvious, it's important to point out that Pekar in fact isn't a "quitter" when it comes to his passions. He's been a music critic since 1959, he's continued with American Splendor through the lean as well as the fat years, and he throws himself into his passions (such as literature) wholeheartedly. He seems devoted to his wife and daughter. And let's not forget that he stuck out his VA job for thirty-odd years.
9 of 9 people found the following review helpful.
Portrait of the artist as a young man
By Johnny Heering
This is another autobiographical comic book by Harvey Pekar. This time, he writes about his childhood up to his young adulthood. He has written about this in the past, but never this extensively before. The title of the book refers to himself, because when he was a young man he would quit anything that didn't come easy to him. He had an inferiority complex, which he tried to compensate for by being "great" at things. If he didn't do as well as he hoped, he would lose confidence and give up. I could tell you more, but it's better to just read the book and find out for yourself. Oh, I mustn't neglect to mention the great black and white artwork by Dean Haspiel. I highly recommend this book to anyone interested in comic books for adults.
1 of 1 people found the following review helpful.
Vintage Pekar
By Beverly Seaton
Well, this makes up for my not owning a copy of American Splendor #1. No, not really. But it is worthy of the comic book Pekar. Love the photos at the end. The book fills in details of events in his life alluded to in earlier works. Great stuff.
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